Sandro Botticelli
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Sandro Botticelli Museum
c. 1445 – May 17, 1510. Italian painter.

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elisabeth vigee-lebrun
Portrait of Victoire Pauline de Riquet de Caraman (1764-1834), wife of Jean Louis, Vicomte de Vaudreuil (1763-1816)

ID: 79037

elisabeth vigee-lebrun Portrait of Victoire Pauline de Riquet de Caraman (1764-1834), wife of Jean Louis, Vicomte de Vaudreuil (1763-1816)
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elisabeth vigee-lebrun Portrait of Victoire Pauline de Riquet de Caraman (1764-1834), wife of Jean Louis, Vicomte de Vaudreuil (1763-1816)


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elisabeth vigee-lebrun

Élisabeth-Louise Vigee-Le Brun, född 16 april 1755 i Paris, död 30 mars 1842 i Louveciennes, 20 kilometer väster om Paris, var en fransk målare som i huvudsak målade porträtt. Vigee-Lebrun utförde tilldragande, idealiserande porträtt och var för en tid hovmålare hos drottning Marie Antoinette. Vigee-Lebrun var tvungen att lämna Frankrike pågrund av den franska revolutionen 1789 och efter det var hon verksam i Ryssland, Italien och Storbritannien. Efter att Napoleons kommit till makten återvände hon till Frankrike. Hon besökte Schweiz 1807 där hon i Geneve blev invald som hedersmedlem i Societe pour l'Avancement des Beaux-Arts. Vigee-Le Brun lämnade ett arv av 660 porträttmålningar och 200 landskapsmålningar. Dessa finns i privata samlingar i Europa och USA men även i stora museer som Eremitaget, National Gallery i London, Metropolitan Museum of Art i New York och National Gallery of Art i Washington, D.C..  Related Paintings of elisabeth vigee-lebrun :. | Lady Hamilton as the Persian Sibyl | Charles Alexandre de Calonne | Portrait of Prince Alexei Kurakin | Portrait of Mme D'Aguesseau. | comtesse de Segur |
Related Artists:
johan josef malmberg
1836-1874
Maurice quentin de la tour
1704-88 French pastellist. He was one of the greatest pastellists of the 18th century, an equal of Jean-Sim?on Chardin and Jean-Baptiste Perronneau. Unlike them, however, he painted no works in oils. Reacting against the stately portraits of preceding generations and against the mythological portraits of many of his contemporaries, La Tour returned to a more realistic and sober style of work. The fundamental quality of his art lies in his ability to suggest the temperament and psychology of his subjects by means of their facial expression, and thereby to translate their fugitive emotions on to paper: 'I penetrate into the depths of my subjects without their knowing it, and capture them whole', as he himself put it. His considerable success led to commissions from the royal family, the court, the rich bourgeoisie and from literary, artistic and theatrical circles.
Jurij subic
painted Pred lovom in 1883






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